Traditional Thai Dance is considered one of the most elegant and mesmerizing in the world. With its graceful movements, brilliant color, soft rhythm and radiating presence, the Thai Dance, or "Fawn Thai", was originally an art performed for the royal courts of old Siam. The dance troupes were formed within the courts and their precision and beauty was the highlight of every performance. Today, although "Fawn Thai" is still a very important part of royal performances, the dancers are selected and trained from among the general population and dance performances themselves are often an event for the general public. 

"Fawn Thai" in its many forms is usually performed by four to six pairs of dancers, and on some very important occasions it is performed by hundreds. There are five "Fawn Thai" styles: "Fawn Tian" (Candle Dance), "Fawn Leb" (Fingernail Dance), "Fawn Ngiew" (Scarf Dance), "Fawn Marn Gumm Ber"(Butterfly Dance), and "Fawn Marn Mong Kol" (Happy Dance). Each dance is accompanied by a special orchestra of traditional Thai musical instruments and each has its distinctive tempo and movement. The Thai Dance costumes are colorful, stylized and vary from region to region. Along with the choreography, uniformity of step and movement by the dancers, performances are appreciated more for their artistic quality than for any meaning or message. The stately beauty of "Fawn Thai" in its five styles is most important.

The accessories of the dancers during the performance highlight their hand movements, an essential feature of Thai Dance. In the "Fawn Tian", for example, dancers hold lighted candles, while in the "Fawn Leb" they wear six-inch-long brass nails. In the three others they make use of various lengths of scarves. The "Fawn Tian" and the "Fawn Leb" were once sacred dances performed at court functions on days of special festivals. Because of their special significance and the similarity of accompanying instruments, they were usually performed on the same day.

The "Fawn Tian" or Candle Dance consists of four pairs of dancers carrying lighted candles in each hand. The choreographed stage position is usually four on the right and four on the left in an inverted wing formation with the traditional Thai orchestra at the wing-point behind. Dressed in full-length sarongs and jackets, the eight female dancers wear floral headpieces and hold the candles between thumb and forefinger. The movement is gentle and slow with short steps and stately swaying of the shoulders and upper torso. This dance is always held at night and the slow graceful movement of the dancers with the candle flames flickering gently as they sway is a hypnotic and mesmerizing spectacle. 

The "Fawn Leb" or Fingernail Dance usually consists of five pairs of dancers, each wearing six-inch-long brass fingernails. Dance movements often vary from province to province, but the choreographed stage position of performers in this dance is more fluid and both arm and head movement more robust. The elongated fingernails accentuate the classic hand movements of Thai Dance and in parts of the performance one or more pairs dance from a kneeling position at the front of the stage. Costumes are more varied in color, although these too differ according to region.

The orchestra for both the "Fawn Tian" and the "Fawn Leb" consists of five to seven musicians playing the traditional Siamese instruments of the Glong Aw, the Bpee Mon, the Mon Tapone, the Glong Talod, the Sharb Yai, the Shing and the Mong. The orchestra is always seated in the traditional lotus position with the player of the Ranad, a long xylophone-like instrument, in the center and the others around him. Their dress is the simple color and fabric of the province, and their position on stage is either to rear or to the side of the dancers.